- Strelka Institute
- education programme
- Summer Programme
- Strelka Press
ABOUT THE AUTHORKeller Easterling is an architect, writer and professor at Yale University. Her book, Enduring Innocence: Global Architecture and its Political Masquerades (MIT, 2005) researches familiar spatial products that have landed in difficult or hyperbolic political situations around the world. A previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats. A forthcoming book, Extrastatecraft: Global Infrastructure and Political Arts, examines global infrastructure networks as a medium of polity.
The Action is the Form: Victor Hugo’s TED Talk
Microwaves bounce between cell phones. Credit cards – all 0.76 mm thick – slip through the slots in cash machines anywhere in the world. Computers synchronise. Shipping containers calibrate the global transportation and production of goods. Nearly identical buildings and urban arrangements proliferate globally. All these ubiquitous and seemingly innocuous features of our world are evidence of global infrastructure.
The word “infrastructure” typically conjures associations with physical networks for transportation, communication or utilities – a hidden substrate or binding medium. Yet the technologies comprising these networks consist not only of underground grids of pipes and wires or tangles of fibre-optic cable on the bottom of the ocean, but also pools of microwaves beaming from satellites, atomised populations of electronic devices and shared technical platforms. Far from hidden, infrastructure is often the overt point of contact and access, where the underlying rules of the world can be clasped in the space of everyday life.
Making another, perhaps more important observation, buildings, and even whole cities, have become infrastructural technologies. From the fields of repeatable suburban houses and traffic-engineered highways of the mid 20th century to the malls, resorts, golf courses and big-box stores of contemporary culture, repeatable formulas make most of the space in the world. These buildings are not singularly crafted enclosures, but reproducible products – spatial products.